car fast: March 2012

2013 Koenigsegg Agera R

2013 Koenigsegg Agera R

The 2013 Agera R is the result of Koenigseggs endless persuit for perfection.

The 2013 model features new Aircore hollow carbon fiber wheels, uprated power and enhanced aerodynamics. The Agera R has an incredible top speed of approximately 440 km/h (273 mph).

Recent Records for the Agera R: 0-300 km/h in 14.53 sec, 300-0 km/h in 6.66 sec, 0-200 mph in 17.68 sec, 200-0 mph in 7.28 sec.

The Agera R is the only roadster Hypercar with a detachable and stowable hardtop, bringing the best of two worlds. This in combination with 120 litres of luggage space, truly combine extreme performance with everyday usability.

The Agera is available in left or right hand drive.

The 2013 Agera R has all the features and functionalities of previous year models, but also features new and unique solutions to enhance performance and visual appearance even further.

Example of these enhancements are; Visible carbon area on the front bonnet and bumper, new front side winglets, revolutionary Aircore carbon fiber wheels, the new Aero exhaust, the increased power and the raised rpm limit.

Please find more details about these features in the menu to the left.

Koenigsegg was the first Hypercar manufacturer to take steps toward green technology with the release of the biofuel CCXR in 2007. The Agera R, based on the highly competitive Agera, follows in the footsteps of the CCXR as it also runs on E85 biofuel.

Among many differences to the standard Agera, the Agera R has an upgraded fuel and engine management system with enough flow capacity to generate 1140 hp and 1200 nm of torque on E85 and E100 biofuel. As there is less energy content per given volume in these biofuels compared to normal petrol, the fuel-system has to manage a flow that is similar to a 2000hp petrol engine, which means that the Agera R’s return-less fuel system has the highest capacity of any car presently in production.

As the Agera R is a flexfuel car, it can also be run on normal petrol. As 95 octane fuel has less octane than E85, the power is reduced to 960hp with 1100nm of torque due to the boost pressure and ignition timing being altered to match the fuel characteristics.

In order to give the Agera R maximum flexibility when it comes to power delivery, Koenigsegg has implement the latest technology when it comes to turbo materials and design. This reduces the inertia of the turbine wheel and axle and therefore gives improved response.

Specifications

Performance
Power output: 1140 hp at 7100 rpm – redline @ 7500 rpm
Torque: over 1000 Nm from 2700 to 7300 rpm
Max torque: 1200 Nm at 4100 rpm
Turbo: 1.4 bar boost pressure, 0.5 bar boost pressure @ 2300 rpm, Full turbo spool up @ 2700 rpm
Acceleration: 0-100 km/h (0-62 mph) 2.9 seconds, 0-200 km/h 7,5 sec, 0-300 km/h, 14,5 sec, 0-300-0 km/h 21.2 sec, 0-200-0 km/h 12.7 sec
Braking distance: 30.5m (100-0 km/h)
Lateral g-force: 1.6 g
Fuel consumption: Highway travel: 12,5 l/100km, Combined: 14,7/100km
Weight-to-power ratio: 1.19 kg/hp (dry weight)
Weight distribution: 44% front, 56% rear
Emission levels: Euro V and lev 2

Aerodynamics
Cd. 0,33 to 0,37 with adaptable rear wings.
Frontal Area: 1.873 m2
Total Downforce at 250 km/h: 300 kg
Flat underside of chassis. Venturi tunnels at rear of chassis/body.

Dimensions
Total length: 4293 mm (169″)
Total width: 1996 mm (78.6″)
Total height: 1120 mm (44.1″)
Ground clearance: Rear: 100 mm (3.94″) Front: 100 mm (3.94″)
Wheelbase: 2662 mm.
Front track: 1700 mm. Rear track: 1650 mm.
Front overhang: 885mm Rear overhang: 752mm
Fuel capacity: 80 litres
Luggage compartment: 120 litres (31.7 US gallons)
Dry weight: 1330 kg
Curb weight 1435 kg (all fluids plus 50% fuel)
Maximum laden weight: 1650 kg (full tank, two passengers, full luggage)

Chassis
Carbon fibre with aluminium honeycomb and integrated fuel tanks for optimal weight distribution and safety.
Monocoque torsional rigidity: 65,000 Nm/degree.
Weight including tanks: 70 kg.
Front and rear suspension: Double wishbones, two-way adjustable Öhlins gas-hydraulic shock absorbers, pushrod operated.
Triplex damper in the rear.
Electronically adjustable ride height. Front: Cro-Mo subframe, with integrated crash members.
Rear: Semi-stressed engine and gearbox with support struts, for needle bearings and o-ringed wishbone bushings optimal rigidity and no engine inertia movements.
Fully machined aircraft aluminium uprights, with SKF Le Mans specification 150mm angle contact ball bearings.
GKN hollow/gun-drilled driveshafts.
Koenigsegg Z-style progressive and lightweight anti-roll bars front and rear.

Engine
Koenigsegg aluminum 5.0L V8, 4 valves per cylinder, DOHC, , titanium connecting rods, Dry sump lubrication, with negative crank pressure functionality
Compression: 9.0:1
Bore: 91.7 mm Stroke: 95.25 mm
Carbon fiber intake manifold with optimized intake tracts. Dual 70 mm electronic throttle bodies.
Sequential, multipoint fuel injection with dual injectors per cylinder.
4 high power fuel pumps with returnless fuel system configuration
Twin turbo, 1.4 bar boost pressure. Combined with Koenigsegg reduced back pressure exhaust system.
Tig-welded ceramic coated inconel exhaust system manifold with merge collector.
Weight: 197 kg.

Engine Management
Koenigsegg Engine Control Module with full OBD II and Flexfuel capability High Power coil on plug ignition system.

Transmission
Specially developed 7-speed dual clutch, 1 input shaft transmission with paddle-shift.
Electronic differential

Steering
Rack and pinion power assisted steering. 2.7 turns lock-to-lock.
Turning circle: 11 metres. TRW electro-hydraulic power-assisted.

Brakes
Front brakes: Ventilated ceramic discs Ø 397 mm, 40 mm wide.
6-piston callipers. Power-assisted.
Rear brakes: Ventilated ceramic discs Ø 380 mm, 34 mm wide.
4-piston callipers. Power-assisted.

Traction Control
F1-style for optimal performance with 5 different handling modes.

Stability Control
KES (Koenigsegg Electronic Stability).

Wheels
Koenigsegg Aircore Carbon fiber wheels with centre locking
Front: 19″ x 9.5″
Rear: 20″ x 12.5″

Tyres
Dedicated Michelin Supersport
Unidirectional with asymmetric thread pattern
Front: 265/35 – 19″ (Y)
Rear: 345/30 – 20″ (Y)
Speed rating: 420+ km/h

Body

Two-door, two seater with removable hardtop stowable under the front hood lid. Body made from pre-impregnated carbon fibre/kevlar and lightweight sandwich reinforcements. Carbon vents over wheels.

Electrical System

Solid state digital semiconductors – no fuses or relays. Can bus operated and fully programmable functionality.

Equipment

Dual airbags, detachable storable hardtop with glass roof, power windows, adaptive rear wing, inconel exhaust system, front winglets, 4 point racing harnesses, rear view camera adjustable pedals and steering column, Agera stitching, adjustable seats in rake and length, carbon ceramic brakes with Sport ABS, hydraulic lifting system, power steering, power brakes, extra 4 point seatbelts for track use. satnav, Intelligent LifePo4 battery, MP3 player, USB connection, climate control, digital warning and info system, G sensor, alarm, tyre monitoring system, silver key, leather carpets, roof storage bag, car cover.

Extra Equipment

Fitted luggage, special leather and colour requests, full visible carbon body, heated seats, ski box roof, skis, winter wheel package.

Warranty

3 Year Global Warranty.

Confessions of a Sinner

Idled around watching the TV
Keeping up with each song and movie
I kept on with each latest style
Forgetting that i will be soon on trial

I had been a good singer and a good dancer
Now Answerable, but unable to answer
Even though my Lord asked me to refrain
I did all that lead me to hell fire and pain
I see those smiling faces, their results in their right hands

Why was i following actors and stupid music bands
Why did I keep non mahrems as my friends
Why did I forget the rules and follow immodest trends
Why did I do stuff forbidden in my religion

I sadly stand now in the disbeliever's legion
Ya Allah I was a muslim yet I rarely did pray
I committed indecency and I went astray
I talked and mingled with the other sex

I lied, betrayed and made my life complex
I was a hypocrite, did good for fame
Ignored your message, when to me it came
The Holy Quran, I rarely did read

To all those warnings, I took no heed
I troubled my parents in their old age
Abused and Yelled at them in my vain rage
I lived for the worlds' luxury and its vain vanity

Late did I understand that it was pure insanity
I was given chances, which i took for granted
Now I have to reap what I have planted
I am responsible for this painful aftermath

I blindly followed on Satan's wrong path
Please don't throw me into the depths of hell
With fiery flames and each horrendous smell
Boiling water and pus to quench ones thirst

The Many Punishments, each worse then the worst
Satan mislead me to each wrongful desire
And lead me closer and closer to Hell fire
I walked on as satan misguided me and grinned

Ya Allah! I beg You for mercy as I have sinned
Forgive me for my sins and for being ungrateful
Forgive me for standing in league with the unfaithful
Forgive me and Make my soul pure and beautiful

Bestow mercy on me, You are the Most Merciful
I am Your creation, Your servant of humility
You are the Lord of the worlds, The One, The Almighty

Spoiler

Presupposition

Presupposition is first assumption that appears in speaker's mind in conversation that the hearer can understand what the speaker is talking about. Presupposition is assumption that the addressee is able to understand what the speaker means because the speaker's utterance has certain sign, context, and reference that is understood by interlocutor.

In addition, Palmer (1989: 181) tries to explain this by giving an example "the king of France is bald", Palmer tries to compare the notion of Russell (1905) and Strawson in which according to Russell, considered by Palmer as the first notion appeared, the sentence "the king of France is bald" indicates two things, first, the existence of king of France and the king is bald. If essentially the king of France does not exist, the sentence is judged as fake or false sentence, and conversely. The second notion comes from Strawson, he states that in sentence "the king of France is bald", the speaker supposes that the hearer is able to recognize exactly the man or thing in the sentence uttered by him exists. So that the speaker is not necessary to confirm whether the man or thing is really exist, however the speaker only makes presupposition about the existence of it. If the man or thing does not exist, so it will appear what is called 'the failure of presupposition', and the sentence is not true or false. Simpler we can say that, if sentence (a) presuppose sentence (b), the truth of the sentence (b) must follow from the truth of sentence (a), but if sentence (b) is false, then the sentence (a) will has no truth value.

In addition presupposition is divided into two categories, they are: logic presupposition and pragmatic presupposition. Logic presupposition is presupposition which deals with the arrangement and understanding of message in which as the part of semantics has logic relationship with form of expression, both in coding and structuring of relationship. In addition, pragmatic presupposition is presupposition which deals with context, both in the relation between the users and social-situational surrounded it.

In the study of logic of language, we know about the term propositional calculus. This term basically involve two concepts, they are: calculus and proposition. Calculus is 'taking conclusion determining truth' and proposition is 'statement which suitable with abstraction in the consciousness of the user'. So that, propositional calculus deals with characteristics abstraction of reference when it is in the conceptualization of expression, taking conclusion of the characteristic of relationship of abstraction result is signed by connective sign, such as: which, that, to be, and, not, or. For instance, '"Malang is beautiful city", when the speaker abstracts Malang city for instance, he has known well about Malang city so that he is able to give earmark' beautiful'.
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Entailment

Entailment is a relationship that applies between two sentences, where the truth of one implies the truth of the other because the meanings of the words involved. It is relation between sentences such that the truth of the second sentence necessarily follows from the truth of the first. The test of entailment can be done as follows: sentence (a) entails sentence (b) if the truth of sentence (a) insures the truth of sentence (b) and if the falsity of sentence (b) insures the falsity of sentence (a). For instance, (a) Adi is a bachelor (b) Adi has been unmarried. In this case, sentence (a) entails sentence (b) because the truth of sentence (a) insures the truth sentence (b) (if Adi is a bachelor, he is automatically unmarried), and the falsity of sentence (b) insures the falsity of sentence (a) (if Adi is married, he is not bachelor). However, the relation of entailment is unidirectional, it means the position between sentence (a) and (b) are irreplaceable. For instance, let us take the previous example and try to replace them, (b) Adi has been unmarried (a) Adi is a bachelor. In this case, sentence (b) does not entail sentence (a¬) because if Adi has been unmarried, it does not mean that he a bachelor, it is very possible that he is a widower or etc. (Kempson, 1977: 142).

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Synthetic Sentence

Sentence which might be true or false depend on the world which they refer. In contrast to analytic sentences, synthetic sentences are not true or false because of the words which comprise them; they, however, do or do not accurately describe some state of affairs in the world. For instance, the sentence, 'Adi's home is burning.' is a synthetic sentence. We cannot judge its truth or falsity by examining the words in the sentence. We must investigate the truth or falsity of this sentence empirically.

In addition, there are certain sentences which make us confuse to determine whether it is included in analytic or synthetic sentence. For instance the sentence ' oxygen is not blue', the problem appears concerning the color of the oxygen, because we do not know the color of oxygen since we can not see it just feel it, in this case the sentence tend to be included into synthetic sentence since the definition of the two categories them selves, analytic is true by definition and synthetic is true as the result of investigating, verifying, and falsifying empirically.

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Analytic Sentence

An analytic sentence is one that is necessarily true as a result of the words in it. For instance "bachelor is unmarried man” is true not because the world is the way it is, but because of the English is the way it is. Based on our English knowledge, the word 'bachelor' means 'unmarried man'. It is not necessary for us to check on the outside world to prove the truth of this sentence. In the other word, the sentence is obligatory true, it is not bounded the condition that follows, based on the relationships between words formed the sentence (Kempson, 1977: 26). In addition, it can be defined that analytic sentence are "true by definition". Analytic truth may be considered as linguistic truth since they are true in virtue of the language itself. Parker in Ahmadin (1998: 17).

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Formal semantics

Although the term of 'formal semantic' might be used in a very general sense to refer to a whole set of different approaches to the study of meaning, it is usually employed nowadays with particular reference to a certain version of truth conditional semantics which originated in the investigation of specially constructed formal languages by logicians and has recently been applied to the investigation of natural languages.

According to Tarski to know the meaning of certain sentence, it means to understand in what condition the sentence is true. For instance, the sentence 'snow is white', to know the meaning of that sentence we have to understand what condition existed that supports that sentence is true. There is a formula concerning this discussion:

S is true if and if only P

S refers to the sentence, and P refers to the condition which supports the S. from the preceding example we can say that snow is white is true and if only snow is white.

In addition, the study of truth condition falls into two basic categories: the study of different types included in individual sentences: analytic and syntactic; and the study of different types of truth connections that hold between sentences; entailment and presupposition.
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Lamborghini LP550-2 Sunset

Lamborghini LP550-2 Sunset Photoshoot

Datsun turns back

Datsun Nissan CEO Carlos Ghosn and the brand will return to India since 2014, will start sales in emerging markets such as Indonesia and Russia. Also shown that the new Datsun logo.

Nissan's current name until the 1980s, was the name used by Datsun. Animated Nissan Motors, Nissan and Infiniti brand will be the third global brand.

Finished Datsun brand in 1981, officially ended.
Nissan's factory in Jakarta, 50 kilometers from the Cikampek Under the new plan to increase production capacity of 33 billion Japanese yen (approximately £ 715 million) will be invested. Thus, the total capacity of the plant until 2014 250 000 units a year, labor in the 3300 'e will, by 2015 plans to raise to 150 the number of sales dealers.

Ghosn press conference, "Nissan in Indonesia will bring employment and new tools. Production capacity will increase the range of new and exciting here, "he said.

Porsche Cayenne

Porsche Cayenne
Engine Displacement : 3001 - 3500 cm3
Engine Power :226-250 hp
Fuel : Petrol
Gear : Semiautomatic
Door : 5
Traction : 4x4

The Legend Will Live

If they ever tell my story, let them say...

...I walked with giants.

Men rise and fall like the winter wheat...

...but these names will never die.

Let them say I lived

in the time of Hector...

...tamer of horses.

Let them say...

...I lived in the time of Achilles.

Jika mereka menceritakan kisahku, biarlah meraka bercerita

Aku berjalan dengan para raksasa.

Manusia bangkit dan jatuh seperti gandum di musim dingin,

tapi nama-nama ini tidak akan pernah sirna.

Biarlah mereka bercerita, Aku hidup

di masa Hector,

Sang penjinak kuda.

Biarlah mereka bercerita,

Aku hidup di masa Achilles

(Troy)

Be The Best of Whatever You Are

If you can’t be a pine on the top of the hill
Be a scrub in the valley–but be
The best little scrub by the side of the rill;
Be a bush if you can’t be a tree.

If you can’t be a bush be a bit of the grass,
And some highway some happier make;
If you can’t be a muskie then just be a bass–
But the liveliest bass in the lake!

We can’t all be captains, we’ve got to be crew,
There’s something for all of us here.
There’s big work to do and there’s lesser to do,
And the task we must do is the near.

If you can’t be a highway then just be a trail,
If you can’t be the sun be a star;
It isn’t by size that you win or you fail–
Be the best of whatever you are!

by: Douglas Malloch

Kesungguhan Seseorang...

Seberapa parah semua kebiasaan burukmu...

Seberapa sulit cara untuk mengerti dirimu...

Seberapa hina akan masa lalumu...
Seberapa banyak akan kekuranganmu...

Seberapa tinggi akan keegoisanmu...

Seberapa besar akan obsesimu...

Ia tetap menginginkanmu dalam hidupnya...

Memperhatikanmu dalam segalanya...

Karena memang dia mencintaimu apa adanya...

Mythological and Archetypal Approach to Analyze Literature

According to the common misconception and misuse of the term, myths are merely primitive fictions, illusions, or opinions based upon false reasoning. Actually, mythology encompasses more than grade school stories about the Greek and Roman deities or clever fables invented for the amusement of children (or the harassment of students in college literature courses). It may be true that myths do not meet our current standards of factual reality, but then neither does any great literature. Instead, they both reflect a more profound reality. Myth is fundamental, the dramatic representation of our deepest instinctual life, of a primary awareness of man in the universe, capable of many configurations, upon which all particular opinions and attitudes depend (Guerin, 2005). Myth is to be defined as a complex of stories-some no doubt fact, and some fantasy-which, for various reasons, human beings regard as demonstrations of the inner meaning of the universe and of human life. Myths are by nature collective and communal; they bind a tribe or a nation together in common psychological and spiritual activities.

This approach emphasizes “the recurrent universal patterns underlying most literary works.” Combining the insights from anthropology, psychology, history, and comparative religion, mythological criticism “explores the artist’s common humanity by tracing how the individual imagination uses myths and symbols common to different cultures and epochs.” One key concept in mythlogical criticism is the archetype, “a symbol, character, situation, or image that evokes a deep universal response,” which entered literary criticism from Swiss psychologist Carl Jung. According to Jung, all individuals share a “‘collective unconscious,’ a set of primal memories common to the human race, existing below each person’s conscious mind”, often deriving from primordial phenomena such as the sun, moon, fire, night, and blood, archetypes according to Jung “trigger the collective unconscious”.

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Psychological Approach to Analyze Literature

The aim of psychological study folds in three natures. Foremost, the objective of understanding behavior, that is by defining factors that combine the development and expression of behavior. Secondly, the psychologist striving to develop procedure for the accurate prediction of behavior. Thirdly, psychology aims at developing techniques that will permit the control of behavior that is, way of “ shaping” or course of psychological development through manipulating those basic factors to the growth and the expression of behavior.

The psychological approach leads most directly to a substantial amplification of the meaning of a literary work. When we discuss psychology and its place in a literary work, we are primarily studying the author’s imagination. As all literary works are based on some kind of experience, and as all authors are human, we are necessarily caught up in the wide spectrum of emotional problems (caused by experience). Not all recourse of psychology in the analysis of literary work is undertaken to arrive at the understanding of the literary work, to a certain extent, we must be willing to use psychology to discuss probability.

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Biographical Approach to Analyze Literature

According to Christopher Russell Reaske, Biography is a detailed description or account of someone's life. More than a list of basic facts (education, work, relationships, and death), biography also portrays the subject's experience of those events. Unlike a profile or curriculum vitae (résumé), a biography presents the subject's life story, highlighting various aspects of his or her life, including intimate details of experience, and may include an analysis of the subject's personality.

Biographical approach examines the literary work in relation to the author’s life. And often a particular poem or song is subject to this kind of analysis simply by nature of its material in relation to the background of the author's personal experience. Or simply we can say, Biographical approach is an approach used to understand and comprehend a literary work by studying deeper about the life of the author.

The good example of analysis by using this approach is the study of Emily's Chariot, since almost the whole contents of the poem tell about Emily's personal life.

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Historical Approach to Analyze Literature

One of the most basic approach used in the analysis of literary work refers to the historical method of literary criticism. In line with this, (Russell 1966: 52) assures that the critic interprets the poem within the history, or contemporary frame of reference, behind the poem. In other words, Historical approach is one of the method to analysis literary work in which the author and the reader comprehend the message of the literary work by remembering the moment/historic moment a long with the literary work written.

It means that if one takes historical approach, he/she have to be willing to do the basic exclusion of all other approaches or at least he must not use any of the other approaches until this historical approach has exhausted.While those using the historical approach admit that a poem can mean something different to the readers of a later century, he still maintains that the original meaning is the only true one, and that it can be discovered only through historical analysis.

Interesting fact can be spelled out through a literary work. The literary work which fits best using this approach in the attempt to gain better and deeper understanding of the content is that the song 'Wind of Change' by Scorpion which presents the history of the WW II's ending. You'll never know the meaning of this song without knowing the history of WWII.
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Subjective Approach to Analyze Literature

The subjective approach to a literary work begins with personal interest in it. That is, when one has read a literary work he has encountered the statement of a certain experience. Then he wants to respond to that experience through a consideration of his own experience.

In the Frost poem, for example, one might, for subjective reasons, concludes that the speaker is an tired old man or a young man who feels tired when he considers how many years remained for him. A girl might, for subjective reasons, feels enough kinship to the speaker to decide it is a woman, rather than a man. Therefore, subjective approach in a literary work is an approach to analyze a literary work from the point of view of the reader. So the interpretation is based on what is in reader’s mind or according to the experience felt by the reader.
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Critical Approaches to Study Literature

The study of literature, nowadays, has shifted the focus, from the elements terms to the criticism. The study of literary works is no longer only focused on the analysis of plot, setting, character, or symbolism but has been broader to the area of criticism. Criticism does not mean "finding fault with". In this study, literary criticism as an academic activity should be viewed as the expression of the writer's point of view of what is happening to the text. Here are some approaches used to study literature:

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Chomsky's Generative Linguistics: An Introduction

Perspective Border
Q: Why is it called 'generative'?

A: 'generative'- to generate = (1) to produce, (2) to specify the rules

(1) owing to our mental grammar, when we speak / write we produce new grammatical sentences.

(2) Generative Grammar describes our mental grammar by specifying the rules / making the hidden linguistic rules in our head explicit. It has two ways:

(a) by drawing a tree structure (Tree diagrams);

(b) by stating the Phrase Structure (PS) Rules in the form of “re-write” rules: X à X Z

(e.g., S à NP VP)

Three important linguistic principles
Q: What makes us able to distinguish between grammatical and ungrammatical sentences?

A: The “mental grammar” or the “linguistic competence” in our mind does.

The first principle proposed by Chomsky is (1) Language is a mental fact.

How many sentences do you think you can arrange from these words?

"saw – tigers – Wilson"

(1) *Saw tigers Wilson (ill-formed)

(2) *Saw Wilson tigers (ill-formed)

(3) Tigers saw Wilson (unusual meaning)

(4) *Tigers Wilson saw (ill-formed)

(5) Wilson saw tigers (well-formed)

(6) *Wilson tigers saw (ill-formed)

Q: Can language imitated and produced by parrot be called a language?

A: (2) Language is innate in the sense that every human child is endowed with the LAD (language acquisition device). It is this LAD that makes language acquisition possible. Note that the LAD is species-specific, that is, only humans—but not animals—have the LAD. Therefore, only humans—but not animals—can acquire human language.

Q: Can you produce an English sentence/ utterance that never be used by any other human in this surface of the earth?

A: (3) Language is creative. “linguistic creativity” = crossing the borders / limits of linguistic rules,e.g., That’s very you; kopi banget; benci àmembencikan; to slipper the cockroach; Is this a knock-knock bird?

This can be explained in two different ways. First, as noted above, “linguistic

creativity” means crossing the borders/limits of the existing linguistic rules. In

addition to the examples given above, some poets are fond of “violating” linguistic

rules, since they are entitled to “poetic license” = lisensia puitika

Anyone lived in a pretty how town

With up so floating many bells down

Spring summer autumn winter

He sang his didn’t, he danced his did.

(E. E. Cummings)

Secondly, “creativity” refers to our every use of our language. Every time we speak / write, we “create” new utterances/sentences.

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Alphabetic Writing

A set of written symbols which each represent a single type of sound;
The origins of the writing systems of Semitic languages such as Arabic and Hebrew;
largely consist of consonant symbols;
Early Greeks took the alphabetizing process a stage further by also using separate symbols to represent the vowel sounds as distinct entities.

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2011 Maserati Kubang SUV

2011 Maserati Kubang SUV Video

Maserati Kubang SUV
4.7lt V8 engine developed by Ferrari. Also included in the option 3Lt, V6 diesel version. Engines with the wheels in combination with his 8-speed automatic transmission.

Trying to be Somebody

T hough tears almost dry,

R adiance alters to cry,

Y ield's only dropping by,

I nsanity teases with shy,

N ightmare deprives calmness,

G naws conscience leaves mindless,

T ime shows the tamer of horses, Hector,

O r Achilles, the greatest Greek warrior.

B eing remembered for the brave behavior.

E xemplary figures that never fade forever.

S uccess doesn't come freely,

O bstacles will stop your odyssey,

M ourning star covers how far you see,

E nemies' envy will kill you slowly.

B ut always be the best you can be,

O ptimistic and think positively,

D o not surrender your dignity,

Y ou’ll soon be somebody.

Malang, 11 March 2012

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2012 Hyundai i40 Sedan

Hyundai showed their 2012 Hyundai i40 Sedan in the 2011 Barcelona Motor Show. The ranking overview of this car was cool because of its enhancements including Modern Flow and Premium Wing designs in the latest version of D-segment i40. We will mention about the engine features of this car while a summary can be made that this is a perfect car to be named among super cars by Hyundai with its outstanding fuel efficiency, comfort, safety and quality of interiors. These are all important specifications of a car yet, having all these at high quality makes it more and more valuable. Fuel economy is a keyword of 2012 Hyundai i40 Sedan.

Engine options of 2012 Hyundai i40 Sedan

As you see in the pictures above, 2012 Hyundai i40 designs are cool. What is inside then? i40 Sedan has 4 engine options available each are Euro V compliant and two of the engine options are petrol consuming engines, other two are diesels. With city performance and highway performance of i40 is pleasing car to drive. Based on engine, power spread can change from 115 ps to 177 ps. Besides these engine options, transmission choice is yours whether to have manual transmission or automatic transmission.
Engine and Performance

2 litre GDI engine named Nu was used while the 2012 Hyundai i40 Sedan was making its debut and this engine is all new for Hyundai. Its imrpoved fuel economy and reduced emission are very amazing features in addition to NVH characteristic and additional driving pleasure without annoying vibrations.

Hyundai i40 Sedan offer eco credentials, reduced NVH (Noise Vibration Harshness), high-tech features, and safety for sure. To ensure the balance, economy and performance of i40, Gasoline Direct Injection (GDI) 1999 cc unit generates 177 ps and 213 Nm of torque. 0 to 100 of i40 Sedan is 9.7 seconds. Co2 rating is 159 g/km and fuel economy is 6.8 L / km.

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